Verónica Pamoukaghlián has a degree in English Literature from Cambridge, UK, in Executive Production from the EICTV, Cuba, and New York Film Academy and a Master’s degree in Screenwriting from UIMP, Valencia, Spain. She was a professor of English literature at IB schools, and of Screenwriting and Fiction Writing at Uruguay’s Technological University. She has been awarded scholarships by Ibermedia, the InterAmerican Development Bank, Bankboston Foundation, and Sundance Collab. She has been a resident artist at Centre Pompadour in France and Colectiva Residency in Switzerland. Her films as producer and/or director have participated and obtained awards in festivals such as Visions du réel, Huelva, BAFICI, International Festival of Havana, FAM, International Film Festival of Uruguay, among others. Her first documentary as director and producer,the medium-length film EL SORDO CIELO, was screened at the Havana International Festival and obtained a Honorable Mention at the Uruguayan International Film Festival. Her feature-length documentary RAÚL was shown in China, Italy, the United States, Mexico, Brazil, and Argentina, commercially premiered in Los Angeles and programmed on TV by Canal Encuentro, Argentina. His short film BIS ANS ENDE DER LIEBE was one of the four selected at the José Ignacio International Film Festival 2022 and included in a curated section of the Short Film Corner in Cannes, it received awards at DETOUR Festival, and the Pathological Cinema Festival in Rome, as well as 10 other awards. Since 2020 she has made several experimental film pieces programmed in spaces such as the Maysles Documentary Center in New York. Her short Ceci n´´´ est pas Solveig obtained the 3rd Prize at Corto 24 Festival in Ecuador and an Honorable Mention at the Post-cinema Festival in Sicily, Italy. It was also selected for the Dona i Cinema Biennale in Valencia, Spain, among other festivals. She produced MONSTRUO, a 30-minute short film by Carlos Morelli, co-produced with Germany, Best Uruguayan Short at the International Film Festival of Uruguay 2013, Best Actor and Best Cinematography Award at the FAM Florianópolis 2013 and selected in Leipzig, Sehsuchte Berlin, and Cortópolis Madrid , among others. She has been a jury member at the Mujer y Cine Festival (Valencia, 2011), a script reader for the Bluecat Screenwriting Competition in Los Angeles, and a selector at the FAM Festival (Florianopolis, 2014). She is editorial director at Sutton Hart Press, Washington. She is a member of the Uruguayan Producers’ Association, Asoprod, and founding member of the Uruguayan Association of Directors and screenwriters DGU.
Author: VERONICA PAMOUKAGHLIAN
Kronos hours
Algunas veces
mido el tiempo en canciones
canciones eternas
de cinco minutos
Demasiado cortas
cuando son de Billie
de Corgan o de Fran
Algunas veces
dentro de cuatro canciones
hay que ponerse el uniforme
para ir a trabajar
Pero en el medio
Bono cuenta que la próxima canción
fue para alguien
la ultima que oyó en su vida
entonces se me va el cálculo
al demonio
como diría Cortázar
Algunas veces
en las canciones
es tiempo
y las canciones
nos guían
hacia algo
que podría ser mañana
el fin del atardecer
una playa soleada
un pelo suelto
una mirada quieta
Porque no uso relojes
cuando tengo las canciones
Algunas veces
las canciones van despacio
y hay músicas
que saben algo
un secreto que alguien guarda
(Dedicated to Francisco Fattoruso, Alaska, 2005)
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